The Dragon evolved from the silkworm pupa

Theories The idea of the Dragon and its original morphology developed from observations of the growth-stages of the silkworm.The Dragon evolved from the silkworm pupa.

Some time in the 3rd. Millennium BC.the Hongshan culture carved jades of a small strange headed form

the so called "Zhulong" or pig dragon which was to evolve into China's greatest and most potent symbol , the dragon.
These early depictions show a strong resemblance to Pupa of Bombyx mori or silkworm.


In Shang burials carved jade silkworms and jade pupa have been discovered .The Chinese of this period were fascinated with this most magical of creatures for the reason of that metamorphosis from worm to butterfly,

from earthly to heavenly. Witch became a microcosm of the Tao. Here is an image of a silkworm building its cocoon. A baby dragon?
In sericulture the completed cocoon containing a live pupa is immersed in boiling water. During the process of reeling, single fibres of silk, often up to a kilometre in length, are harvested from the cocoon leaving behind the dead half-cooked and half-metamorphosed pupa in what must have been seen as somewhere between an earthly and heavenly state. It was the tiny pupae and its transitional form that became the catalyst for a staggering evolution of design and mythology, that of the Dragon, the importance of which to Chinese and world culture may only be outweighed by the massive success of sericulture itself.

In the warring states period 475-221 BC. sericulture was very advanced incredibly fine silks were woven depicting dragons and phoenix pared in to cocoon shaped and sized couplets, these form our earliest textile evidence of the dragon and phoenix design.


The Shang bronzes depict a vast array of bird animal and face mask forms some zoomorphic but no real dragons then in the 10th century BC worm like dragon headed forms appear usually as handles on bronze vessels. One Lei attributed to the 11th-10th.century BC. has a curled reptilian with bottle shaped horn's but this seems to relate to the earlier jade right. dated 1300-1030 BC


By the Han period we have dragons every where.

Quote from Outlines of Chinese symbolism. Williams.
' Another Chinese authority informs us that the dragon becomes at will reduced to the size of a silkworm, or swollen till it feels the space of heaven and earth. It desires to mount- and it rises till it challenges the clouds; to sink- and it descends till hidden below the fountains of the deep'.

Quote from textile gallery.
The dragon is the most recurring motif in Chinese art. For some 2,000 years, since Han times, its role - both religious and secular - has been of paramount importance in China. It symbolizes the forces that dominate and move the world, and is identified with the spirit of nature and of life itself. It is described as having 'the head of a camel, the horns of a deer, the eyes of a rabbit, the ears of a cow, the neck of a snake, the belly of a frog, the scales of a carp, the claws of a hawk, the paws of a tiger', and it is frequently depicted trying to catch hold of the flaming jewel of perfection, symbolizing the creative and destructive powers of nature.

A comparison between Hongshan jade "Zhulong" and the silk worm show a remarkable resemblance.
Sericulture developed during this early period .
The earliest pictogram for the dragon known in the oracle bone script of the Shang resembles the Hongshan Zhulong jades.
Later jade and bronze display a fast evolution of this form in to the powerful dragon that we know to day.
Evan though the bird was a well established icon well before sericulture there might be a connection between the Phoenix and the dragon the worm and the moth
Heaven and earth and the silk thread.

 

 

 

Quote From Wood, Frances

From Wood, Frances The Silk Road: Two Thousand Years in the Heart of Asia (University of California Press, 2002) pp. 26-35 ISBN # 0-520-24340-4

Chapter 2: Coiled Dragons and Filmy Fleeces: Jade and Silk

Some seven thousand years before the Silk Roads were first given the name, goods were traded between the oasis towns surrounding the Central Asian deserts and China. One of the earliest materials to have been transported from the Khotan area on the southern Silk Road was jade. Since jaded is still transported by road from khotan to China, it may have been more appropriate to use the term 'Jade Roads' rather than Silk Roads, were it not for the fact that, unlike jade, silk was traded over a far greater distance. It was once thought that all the neoloithic jade carved in China came from this area, but other sources have been discovered around Lake Tai in southeastern China. The jade-carvers of the Xinglongwa and Chahai cultures (in western Xinjiang and southern Inner Mongolia) made ring-shaped pendants and long scoops from greenish jade from Khotan as early as 5000 BC. Jade-carvers of the subsequent Hongshan culture (c.4000- 2500 BC) in the same area of northeastern China later described as 'beyond the Great Wall' - a traditional Chinese term for a non-Chinese or outlandish culture - carved hoof-shaped cups of translucent greenish jade, bird ornaments of yellow jade and little coiled dragons which were placed in graves.
….. (Talks about the difficulty in working jade , labor, technology, etc.)… The tomb of Fu Hao, a Shang dynasty queen who died in c.1200 BC, contained more than seven hundred jades, some of which were already thousands of years older than she was.
…..(Talks about how jade remained prized even after metal-working techniques unlike other Neolithic cultures.) …. (Confucius and qualities of jade….)….
According to Chinese legend, the creation of silk is credited to Xi Ling, the wife of the legendary Yellow Emperor who is supposed to have lived from 2698 to 2598 BC. Though legends usually place inventions back in the dim and distant past, recent archaeological discoveries in China have produced dates anterior to the supposed inventor. Weaving implements and dyed silk gauzes dated to 3600 BC were found in a Neolithic site at Hemudu in Zhejiang province, which is still one of the major silk-producing centers in China. More complex woven patterns, including damasks dated to 2700 BC, have been excavated from another Zhejiang site. These finds perhaps help to substantiate the claim made that a silkworm cocoon, found in 1927 at an earlier Neolithic site dated to c.5000 - 4000 BC, had been artificially cut.
Talks about silk in the Han, … Tomb of the Marchioness of Dai and the silk grave goods in contained….
Imperial silkworm production during the Ming and Qing….
Talks about the silk road from 200 BC through Roman times, Roman trade with the East, etc…
Talks about silk production and the silkworm… Moving its head from side to side the caterpillar lays its double filament in a figure-of-eight pattern, forming a cocoon around itself as the sericin hardens. Left to itself, the caterpillar would turn into a chrysalis inside its nut-shaped cocoon and, after a week or so, a fat hairy moth. The moth's exit from the cocoon would break the filaments so that they could not be reeled into a silk thread; thus the majority of the chrysalises are stifled by hot air or steam. Their cocoons are then placed in hot water which softens the sericin…..
Talks about distribution of silk production in China… …talks about care for silkworms.
A Chinese villager describes his childhood memories of caring for his silkworms.