The
Dragon evolved from the silkworm pupa
Theories The idea of the Dragon and its original morphology developed from observations of the growth-stages of the silkworm.The Dragon evolved from the silkworm pupa.
Some time in the 3rd. Millennium BC.the Hongshan culture carved jades of a small strange headed form
the so called "Zhulong" or pig dragon which was to
evolve into China's greatest and most potent symbol , the dragon.
These early depictions show a strong resemblance to Pupa of Bombyx mori or
silkworm.
In Shang burials carved jade silkworms and jade pupa have been discovered
.The Chinese of this period were fascinated with this most magical of creatures
for the reason of that metamorphosis from worm to butterfly,
from earthly to heavenly. Witch became a microcosm of the Tao.
Here is an image of a silkworm building its cocoon. A baby dragon?
In sericulture the completed cocoon containing a live pupa is immersed in
boiling water. During the process of reeling, single fibres of silk, often
up to a kilometre in length, are harvested from the cocoon leaving behind
the dead half-cooked and half-metamorphosed pupa in what must have been seen
as somewhere between an earthly and heavenly state. It was the tiny pupae
and its transitional form that became the catalyst for a staggering evolution
of design and mythology, that of the Dragon, the importance of which to Chinese
and world culture may only be outweighed by the massive
success of sericulture itself.
In
the warring states period 475-221 BC. sericulture was very advanced incredibly
fine silks were woven depicting dragons and phoenix pared in to cocoon shaped
and sized couplets, these form our earliest textile evidence of the dragon
and phoenix design.

The Shang bronzes depict a vast array of bird animal and face mask forms some
zoomorphic but no real dragons then in the 10th century BC worm like dragon
headed forms appear usually as handles on bronze vessels. One Lei attributed
to the 11th-10th.century BC. has a curled reptilian with bottle shaped horn's
but this seems to relate to the earlier jade right. dated 1300-1030 BC
By the Han period we have dragons every where.
Quote from Outlines of Chinese symbolism. Williams.
' Another Chinese authority informs us that the dragon becomes at will reduced
to the size of a silkworm, or swollen till it feels the space of heaven and
earth. It desires to mount- and it rises till it challenges the clouds; to sink-
and it descends till hidden below the fountains of the deep'.
Quote from textile gallery.
The dragon is the most recurring motif in Chinese art. For some 2,000 years,
since Han times, its role - both religious and secular - has been of paramount
importance in China. It symbolizes the forces that dominate and move the world,
and is identified with the spirit of nature and of life itself. It is described
as having 'the head of a camel, the horns of a deer, the eyes of a rabbit, the
ears of a cow, the neck of a snake, the belly of a frog, the scales of a carp,
the claws of a hawk, the paws of a tiger', and it is frequently depicted trying
to catch hold of the flaming jewel of perfection, symbolizing the creative and
destructive powers of nature.
A comparison between Hongshan jade "Zhulong" and the silk worm
show a remarkable resemblance.
Sericulture developed during this early period .
The earliest pictogram for the dragon known in the oracle bone script of the
Shang resembles the Hongshan Zhulong jades.
Later jade and bronze display a fast evolution
of this form in to the powerful dragon that we know to day.
Evan though the bird was a well established icon well before sericulture there
might be a connection between the Phoenix and the dragon the worm and the
moth
Heaven and earth and the silk thread.
Quote
From Wood, Frances
From Wood, Frances The Silk Road: Two Thousand Years in the Heart of Asia (University of California Press, 2002) pp. 26-35 ISBN # 0-520-24340-4
Chapter 2: Coiled Dragons and Filmy Fleeces: Jade and Silk
Some seven thousand years before the Silk Roads were first given the name,
goods were traded between the oasis towns surrounding the Central Asian
deserts and China. One of the earliest materials to have been transported
from the Khotan area on the southern Silk Road was jade. Since jaded is
still transported by road from khotan to China, it may have been more appropriate
to use the term 'Jade Roads' rather than Silk Roads, were it not for the
fact that, unlike jade, silk was traded over a far greater distance. It
was once thought that all the neoloithic jade carved in China came from
this area, but other sources have been discovered around Lake Tai in southeastern
China. The jade-carvers of the Xinglongwa and Chahai cultures (in western
Xinjiang and southern Inner Mongolia) made ring-shaped pendants and long
scoops from greenish jade from Khotan as early as 5000 BC. Jade-carvers
of the subsequent Hongshan culture (c.4000- 2500 BC) in the same area of
northeastern China later described as 'beyond the Great Wall' - a traditional
Chinese term for a non-Chinese or outlandish culture - carved hoof-shaped
cups of translucent greenish jade, bird ornaments of yellow jade and little
coiled dragons which were placed in graves.
….. (Talks about the difficulty in working jade , labor, technology,
etc.)… The tomb of Fu Hao, a Shang dynasty queen who died in c.1200
BC, contained more than seven hundred jades, some of which were already
thousands of years older than she was.
…..(Talks about how jade remained prized even after metal-working
techniques unlike other Neolithic cultures.) …. (Confucius and qualities
of jade….)….
According to Chinese legend, the creation of silk is credited to Xi Ling,
the wife of the legendary Yellow Emperor who is supposed to have lived from
2698 to 2598 BC. Though legends usually place inventions back in the dim
and distant past, recent archaeological discoveries in China have produced
dates anterior to the supposed inventor. Weaving implements and dyed silk
gauzes dated to 3600 BC were found in a Neolithic site at Hemudu in Zhejiang
province, which is still one of the major silk-producing centers in China.
More complex woven patterns, including damasks dated to 2700 BC, have been
excavated from another Zhejiang site. These finds perhaps help to substantiate
the claim made that a silkworm cocoon, found in 1927 at an earlier Neolithic
site dated to c.5000 - 4000 BC, had been artificially cut.
Talks about silk in the Han, … Tomb of the Marchioness of Dai and
the silk grave goods in contained….
Imperial silkworm production during the Ming and Qing….
Talks about the silk road from 200 BC through Roman times, Roman trade with
the East, etc…
Talks about silk production and the silkworm… Moving its head from
side to side the caterpillar lays its double filament in a figure-of-eight
pattern, forming a cocoon around itself as the sericin hardens. Left to
itself, the caterpillar would turn into a chrysalis inside its nut-shaped
cocoon and, after a week or so, a fat hairy moth. The moth's exit from the
cocoon would break the filaments so that they could not be reeled into a
silk thread; thus the majority of the chrysalises are stifled by hot air
or steam. Their cocoons are then placed in hot water which softens the sericin…..
Talks about distribution of silk production in China… …talks
about care for silkworms.
A Chinese villager describes his childhood memories of caring for his silkworms.
